Learning a line by ear
This is the main one. A bassline that is impossible to follow under a full mix becomes obvious the moment everything above it is gone.
Drop in MP3 or WAV tracks and get the bass back. The model splits a song four ways — vocals, drums, bass and everything else — and hands you the bass. Bass is the part most worth isolating and the hardest to pick out by ear, because it sits under everything and shares its territory with the kick drum. Up to 50 at a time, nothing to install, no watermark.
Bass only · 192 kbps
+ 12 more queued
You upload a song, you get the bass. That is the whole app.
Every extraction is anonymous — we never track who uploads what
€1 day pass · €6 yearly · €30 lifetime · no ads, ever
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€1 day pass · €6 yearly · €30 lifetime · no ads, ever
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Collect them within the hour. Download links expire 60 minutes after extraction. You get the bass; the other three parts are discarded. If you want the kit or the keys instead, Drum Cyborg and Piano Cyborg return those from the same four-way split.
Free bass isolators are almost always a low-pass filter with a friendly name. They keep everything under a few hundred hertz, which means you get the bass, the kick drum, the low end of the piano and the rumble of the room, all glued together. A trained model recognises a bass by how it sounds and how it moves, not by how low it is, and that is a completely different result.
Queue a whole album instead of feeding songs in one at a time and waiting after each. Four-part separation is slow; batching is where you get the time back.
Your recordings stay yours. We do not track who uploads what, and files are never handed to third parties.
Cutting everything above 200 Hz is not isolation. The kick drum lives there, the low toms live there, and so does the bottom of every guitar chord. Splitting by what things sound like is the only way to get a track that is actually just the bass.
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| Bass Cyborg | Free online converter | Desktop app | |
|---|---|---|---|
| Files per batch | 50 | 1–2 | Many |
| File size limit | 200 MB, 30 min per track | Capped, often 10–50 MB | None |
| Output bitrate | 192 kbps | Often 128 kbps | Your choice |
| Nothing to install | Desktop app | ||
| Ad-free and no tracking | Ad-funded | ||
| Price | from €1 | Free (ad-funded) | €20–60 |
Free bass extractors exist because advertising pays for them, and most of them are low-pass filters rather than separators — they keep the bottom of the spectrum and call it a bassline, kick drum included. The ones running a real model cap your uploads, stop you after a track or two a day, and hand back 128 kbps. Bass Cyborg starts at €1 for a day, installs nothing, takes 50 tracks at once up to 200 MB and 30 minutes each, splits each one four ways, and returns 192 kbps.
Bass separates well, but it has one characteristic problem, and it is worth knowing before you spend anything. The bass guitar and the kick drum occupy the same octave and often the same beat, and they were mixed to reinforce each other on purpose. The model tells them apart by how they behave over time rather than by pitch, which works most of the time — and when it does not, what you hear is a thump.
The song is separated into vocals, drums, bass and everything else, and you are handed the bass. That distinction is the whole product: a filter cannot separate two instruments that live in the same octave, and a model trained on real music can.
A bass note holds and bends; a kick is a thud that is over in a moment. That difference in behaviour over time is what the model keys on, and it is why the result is far better than anything a frequency cut can manage.
Expect some kick bleed — a soft thump on the beat that belongs to the drums. Heavily distorted or synth bass with strong upper harmonics can lose those harmonics to "everything else", leaving the line duller than the record. Sub-heavy electronic music, where the kick and the bass are deliberately one sound, is the hardest case of all.
The other three parts are produced and discarded. Drum Cyborg and Piano Cyborg return their own part from the same split, and Acapella Cyborg returns the voice.
An MP3 upload comes back as 192 kbps rather than the 128 kbps most tools default to, and a WAV upload comes back as WAV. Low frequencies are cheap to encode, so the extra bitrate mostly protects the harmonics that tell you which note is being played.
An extracted bassline is an estimate reconstructed from a finished mix, not the direct-input recording with everything else muted. For learning a line, transcribing it, checking your own low end or building a remix on it, that is plenty. Held against the real bass stem, with no kick anywhere near it, it is not the same object. Try one song before committing an album — the amount of kick bleed varies enormously by genre.
Want the song without the bass instead? That is not this tool — nothing here returns a bassless mix, and Vocal Remover Cyborg removes the singing, which is a different job.
Bass Cyborg, start to finish · Watch the walkthrough →
A short walkthrough: drop the files, let the model work, download the basslines. That is the whole tool.
Ready to try it? Create your account above.
The bass is the part most often buried and most often worth hearing. These are the usual reasons:
This is the main one. A bassline that is impossible to follow under a full mix becomes obvious the moment everything above it is gone.
Writing out a part is far quicker when you can hear which note is actually being played, especially in the bottom octave where pitch is hardest to judge.
The root movement tells you what the chords really are. Isolating it settles arguments that listening to the full record never will.
How much pick attack, how compressed, how much of it is amp and how much is DI — none of that is audible until the guitars and drums are out of the way.
An isolated line is far more usable than one with a kick glued to it. Clear the rights before you release anything built on it.
Run a reference track you admire through it and hear how loud, how clean and how compressed that bass really sits against the kick.
Whatever it is for, upload your tracks and get the bass back.
The same four-way split feeds three other tools: Drum Cyborg for the kit and Piano Cyborg for the keys. For the voice, Acapella Cyborg; for everything except the voice, Vocal Remover Cyborg. Need the audio out of a video first? Extract Audio — all included in one account.
Create an account and upload your tracks — up to 50 at a time, 192 kbps out, and try one song first to hear how much kick your material lets through.
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